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Inspired by Sherwood Anderson's "Brother Death"

"Brother Death" by Sherwood Anderson
There were the two oak stumps, knee-high to a not-too-tall man and cut quite squarely across. They became to the children objects of wonder. They had seen the two trees cut, but had run away just as the trees fell. They hadn't thought of the two stumps, to be left standing there; hadn't even looked at them? Afterwards Ted said to his sister Mary, speaking of the stumps: "I wonder if they bleed, like legs, when a surgeon cuts a man's leg off." He had been hearing war stories. A man came to the farm one day to visit one of the farmhands, a man who had been in the World War and had lost an arm.

He stood in one of the barns talking. When Ted said that, Mary spoke up at once. She hadn't been lucky enough to be at the barn when the one-armed man was there talking, and was jealous. "Why not a woman or a girl's leg?" she said, but Ted said the idea was silly men and girls don't get their legs and arms cut off," he declared. "Why not? I'd just like to know why not?" Mary kept saying.

It would have been something if they had stayed, that day the trees were cut. "We might have gone and touched the places," Ted said. He meant the stumps. Would they have been warm? Would they have bled? They did go and touch the places afterwards, but it was a cold day and the stumps were cold. Ted stuck to his point that only men's arms and legs were cut off, but Mary thought of automobile accidents. "You can't think just about wars. There might be an automobile accident," she declared, but Ted wouldn't be convinced.

They were both children, but something had made them both in an odd way old. Mary was fourteen and Ted eleven, but Ted wasn't strong and that rather evened things up. They were the children of a well-to-do Virginia farmer named John Grey in the Blue Ridge country in South-western Virginia. There was a wide valley called the 'Rich Valley', with a railroad and a small river running through it and high mountains in sight, to the north and south. Ted had some kind of heart disease, the result of a severe attack of diphtheria when he was a child of eight. He was thin and not strong, but curiously alive. The doctor said he might die at any moment, might just drop down dead. The fact had drawn trim peculiarly close to his sister Mary. It - had awakened a strong and determined maternalism in her.

The whole family, the neighbours, on neighbouring farms in the valley, and even the other children at the school-house where they went to school, recognized something as existing between the two children. "Look at them going along there," people said. "They do seem to have good times together, but they are so serious. For such young children they are too serious. Still, I suppose, under the circumstances, it's natural." Of course, everyone knew about Ted. The boy's illness had done something to Mary. At fourteen she was both a child and a grown woman. The woman side of her kept popping out at unexpected moments. She had sensed something concerning her brother Ted. It was because he was as he was, having that kind of a heart, a heart likely at any moment to stop beating, leaving trim dead, cut down like a young tree. The others in the Grey family, that is to say, the older ones, the mother and father and an older brother, Don, who was eighteen now, recognized something as belonging to the two children, being, as it were, between them, but the recogniti on wasn't very definite. People in your own family are likely at any moment to do strange, sometimes hurtful things to you. You have to watch them.

Ted and Mary both found that out.

The brother Don was like the father, already at eighteen almost a grown man. He was that sort, the kind people speak of, saying: "He's a good man. He'll make a good solid dependable man." The father, when he was a young man, never drank, never went chasing the girls, was never wild. There had been enough wild young ones in the Rich Valley when he was a lad. Some of them had inherited big farms and had lost them, gambling, drinking, fooling with fast horses and chas ing after the women. It had been almost a Virginia traditon, but John Grey was a land man. All the Greys were. There were other large cattle-farms owned by Greys up and down the valley.

John Grey, everyone said, was a natural cattle man. He knew beef cattle, of the big so-called export type, how to pick and feed them to make beef. He knew how and where to get the right kind of young stock to turn into his fields. It was blue-grass country. Big beef cattle went directly off the pastures to market. The Grey farm contained over twelve hundred acres, most of it in blue grass.

The father was a land man, land-hungry. He had begun as a cattle farrner, with a small place, inherited from his father, some two hundred acres, Iying next to what was then the big Aspinwahl place, and, after he began, he never stopped getting more land. He kept cutting in on the Aspinwahls, who were a rather horsy, fast lot. They thought of themselves as Virginia aristocrats, having, as they weren't so modest about pointing out, a family going back and back, family tradition, guests always being entertained, fast horses kept, money being bet on fast horses. John Grey getting their land, now twenty acres, then thirty, then fifty, until at last he got the old Aspinwahl house, with one of the Aspinwahl girls, not a young one, not one of the best-looking ones, as wife. The Aspinwahl place was down, by that time, to less than a hundred acres, but he went on, year after year, always being careful and shrewd, making every penny count, never wasting a cent, adding and adding to what was now the Grey place. The former Aspinwahl house was a large old brick house with fireplaces in all the rooms, and was very comfortable.

People wondered why Louise Aspinwahl had married John Grey, but when they were wondering they smiled. The Aspinwahl girls were all well educated, had all been away to college, but Louise wasn't so pretty. She got nicer after marriage, suddenly almost beautiful. The Aspinwahls were, as everyone knew, really first-class, but the men couldn't hang on to land and the Greys could. In all that section of Virginia people gave John Grey credit for being what he was. They respected trim. "He's on the lever," they said, "as honest as a horse. He has cattle sense, that's it." He could run his big hand down over the flank of a steer and say, almost to a pound, what he would weight on the scales, or he could look at a calf or a yearling and say, "He'll do," and he would do. A steer is a steer He isn't supposed to do anything but make beef.

There was Don, the oldest son of the Grey family. He was so evidently destined to be a Grey, to be another like his father. He had long been a star in the Club of the Virginia country and, even as a lad of nine and ten, had won prizes at steer-judging. At twelve he had produced, no one helping trim, doing all the work himself, more bushels of corn on an acre of land than any other boy in the State.

It was a little amazing, even a bit queer to Mary Grey, being as she was a girl peculiarly conscious, so old and young, so aware. There was Don, the older brother, big and strong of body, like the father, and there was the young brother, Ted. Ordinarily, in the ordinary course of life, she being what she was - female - it would have been quite natural and right for her to have given her young girl's admiration to Don, but she didn't. For some reason, Don barely existed for her. He was outside, not in it, while for her Ted, the seemingly weak one of the family, was everything.

Still there Don was, so big of body, so quiet, so apparently sure of himself. The father had begun, as a young cattle man, with the two hundred acres, and now he had the twelve hundred. What would Don Grey do when he started? Already he knew, although he didn't say anything, that he wanted to start. He wanted to run things, be his own boss. His father had offered to send him away to college, to an agricultural college, but he wouldn't go "No. I can learn more here," he said.

Already there was a contest, always kept under the surface, between the father and son. It concerned ways of doing things, decisions to be made. As yet the son always surrendered.

It is like that in a family, little isolated groups formed within the larger group, jealousies, concealed hatreds, silent battles secretly going on - among the Greys, Mary and Ted, Don and his father, the mother and the two younger children, Gladys, a girl child of six now, who adored her brother Don, and Harry, a boy child of two.

As for Mary and Ted, they lived within their own world, but their own world had not been established without a struggle. The point was that Ted, having the heart that might at any moment stop beating, was always being treated tenderly by the others. Only Mary understood that - how it infuriated and hurt trim.

"No, Ted, I wouldn't do that."

"Now, Ted, do be careful."

Sometimes Ted went white and trembling with anger. Don, the father, the mother, all keeping at him like that. It didn't matter what he wanted to do, learn to drive one of the two family cars, climb a tree to find a bird's nest, run a race with Mary. Naturally, being on a farm, he wanted to try his hand at breaking a colt, beginning with him, getting a saddle on, having it out with him. "No, Ted. You can't." He had learned to swear, picking it up from the farm-hands and from boys at the country school. "Hell! Goddam!" he said to Mary. Only Mary understood how he felt, and she had not put the matter very definitely into words, not even to herself. It was one of the things that made her old when she was so young. It made her stand aside from the others of the family, aroused in her a curious determination. "They shall not." She caught herself saying the words to herself. "They shall not."

"If he is to have a few years of life, they shall not spoil what he is to have. Why should they make him die, over and over, day after day?" The thoughts in her did not become so definite. She had resentment against the others. She was like a soldier, standing guard over Ted.

The two children drew more and more away, into their own world, and only once did what Mary felt come to the surface. That was with the mother.

It was on an early summer day and Ted and Mary were playing in the rain. They were on a side porch of the house, where the water came pouring down from the eaves. At a corner of the porch there was a great stream, and first Ted and then Mary dashed through it, returning to the porch with clothes soaked and water running in streams from soaked hair. There was something joyous, the feel of the cold water on the body, under clothes, and they were shrieking with laughter when the mother came to the door. She looked at Ted. There was fear and anxiety in her voice. "Oh, Ted, you know you mustn't, you mustn't." Just that. All the rest implied. Nothing said to Mary. There it was. "Oh, Ted, you mustn't. You mustn't run hard, climb trees, ride horses. The least shock to you may do it." It was the old story again, and of course, Ted understood. He went white and trembled. Why couldn't the rest understand that was a hundred-times worse for him? On that day, without answering his mother, he ran off the porch and through the rain towards the barns. He wanted to go and hide himself from everyone. Mary knew how he felt.

She got suddenly very old and very angry. The mother and daughter stood looking at each other, the woman nearing fifty and the child of fourteen. It was getting everything in the family reversed. Mary felt that but felt she had to do something. "You should have more sense, Mother," she said seriously. She had gone white - her lips trembled. "You mustn't do it any more. Don't you ever do it again."

"What, child?" There was astonishment and half-anger in the mother's voice. "Always making him think of it," Mary said. She wanted to cry but didn't.

The mother understood. There was a queer tense moment before Mary also walked off, towards the barns, in the rain. It wasn't all so clear. The mother wanted to fly at the child, perhaps shake her for daring to be so impudent. A child like that to decide things - to dare to reprove her mother. There was so much implied - even that Ted be allowed to die, quickly, suddenly, rather than that death, danger of sudden death, be brought again and again to his attention. There were values in life, implied by a child's words: "Life, what is it worth? Is death the most terrible thing?" The mother turned and went silently into the house while Mary, going to the barns, presently found Ted. He was in an empty horse stall, standing with his back to the wall, staring. There were no explanations. "Well," Ted said presently, and "Come on, Ted," Mary replied. It was necessary to do something, even perhaps more risky than playing in the rain. The rain was already passing. "Let's take off our shoes," Mary said. Going barefoot was one of the things forbidden Ted. They took their shoes off and, leaving them in the barn, went into an orchard. There was a small creek below the orchard, a creek that went down to the river and now it would be in flood. They went into it and once Mary got swept off her feet so that Ted had to pull her out. She spoke then. "I told Mother," she said, looking serious.

"What?" Ted said. "Gee, I guess maybe I saved you from drowning," he added.

"Sure you did," said Mary. "I told her to let you alone." She grew suddenly fierce. "They've all got to - they've got to let you alone," she said.

There was a bond. Ted did his share. He was imaginative and could think of plenty of risky things to do. Perhaps the mother spoke to the father and to Don, the older brother. There was a new inclination in the family to keep hands off the pair, and the fact seemed to give the two children new room in life. Something seemed to open out. There was a little inner world created, always every day, bang re-created, and in it there was a kind of new security. It seemed to the two children - they could not have put their feeling into words - that, being in their own created world, feeling a new security there, they could suddenly look out at the outside world and see, in a new way, what was going on out there in the world that belonged also to others.

It was a world to be thought about, looked at, a world of drama too, the drama of human relations, outside their own world, in a family, on a farm, in a farmhouse.... On a farm, calves and yearling steers arriving to be fattened, great heavy steers going off to market, colts being broken to work or to saddle, lambs born in the late winter. The human side of life was more difficult, to a child often incomprehensible, but after the speech to the mother, on the porch of the house that day when it rained, it seemed to Mary almost as though she and Ted had set up a new family. Everything about the farm, the house and the barns, got nicer. There was a new freedom. The two children walked along a country road, returning to the farm from school in the late afternoon. There were other children in the road but the two managed to fall behind, or they got ahead. There were plans made.

"I'm going to be a nurse when I grow up," Mary said. She may have remembered dimly the woman nurse, from the county-seat town, who had come to stay in the house when Ted was so ill. Ted said that as soon as he could - it would be when he was younger yet than Don was now - he intended to leave and go out West. . . far out, he said. He wanted to be a cowboy or a bronco-buster or something, and that failing, he thought he would be a railroad engineer. The railroad that went down through the Rich Valley crossed a corner of the Grey farm, and, from the road in the afternoon, they could see trains, quite far away, the smoke rolling up. There was a faint rumbling noise, and, on clear days, they could see the flying piston-rods of the engines.

As for the two stumps in the field near the house, they were what was left of two oak trees. The children had known the trees. They were cut one day in the early fall. There was a back-porch to the Grey house - the house that had once been the seat of the Aspinwahl family - and from the porch steps a path led down to a stone spring-house. A spring came out of the ground just there, and there was a tiny stream that went along the edge of a field, past two large barns and out across a meadow to a creek - called a "branch" in Virginia - and the two trees stood close together beyond the spring- house and the fence.

They were lusty trees, their roots down in the rich, always damp soil, and one of them had a great limb that came down near the ground, so that Ted and Mary could climb into it and out on another limb into its brother tree, and in the fall, when other trees, at the front and side of the house, had shed their leaves, blood-red leaves still clung to the two oaks. They were like dry blood on grey days, but on other days, when the sun came out, the trees flamed against the distant hills The leaves clung, whispering and talking when the wind blew, so that the trees themselves seemed carrying on a conversation.

John Grey had decided that he would have the trees cut. At first it was not a very definite decision. "I think I'll have them cut," he announced.

"But why?" his wife asked. The trees meant a good deal to her.

They had been planted just in that spot, by her grandfather, she said, having in mind just a certain effect. "You see how, in the fall, when you stand on the back-porch, they are so nice against the hills." She spoke of the trees, already quite large, having been brought from a distant wood. Her mother had often spoken of it. The man, her grand-father, had a special feeling for trees. "An Aspinwahl would do that," John Grey said. "There is enough yard, here about the house, and enough trees. They do not shade the house or the yard. An Aspinwahl would go to all that trouble for trees and then plant them where grass might be growing" He had suddenly determined, a half-formed determination in him suddenly hardening. He had perhaps heard too much of the Aspinwahls and their ways. The conversation regarding trees took place at the table, at the noon hour, and Mary and Ted heard it a.

It began at the table and was carried on afterwards out of doors, so in the yard back of the house. The wife had followed her husband out. He always left the table suddenly and silently, getting quickly up and going out heavily, shutting doors with a bang as he went. "Don't, John," the wife said, standing on the porch and calling to her husband. It was a cold day, but the sun was out and the trees were like great bonfires against grey distant fields and hills. The older son of the family, young Don, the one so physically like the father and apparently so like him in every way, had come out of the house with the mother, followed by the two children, Ted and Mary, and at first Don said nothing, but when the father did not answer the mother's protest but started towards the barn, he also spoke. What he said was obviously the determining thing hardening the father.

To the two other children - they had walked a little aside and stood together watching and listening - there was something. There was their own child's world. "Let us alone and we'll let you alone." It wasn't as definite as that. Most of the definite thoughts about what happened in the yard that afternoon came to Mary Grey long afterwards, when she was a grown woman. At the moment there was merely a sudden sharpening of the feeling of isolation, a wall between herself and Ted and others. The father, even then perhaps, seen in a new light. Don and the mother seen in a new light. There was something, a driving destructive thing in life, in all relationships betwee

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from Brother Death (it takes time to disappear), released January 1, 2008

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